我們在蟹洞吞吐的呢喃成了潮聲-香山聲景

展期：2025/10/9-11/9

開幕講座：10/12(日)，13:00-14:30 

策展人：彭江翔

藝術家：謝奉珍、江岳霖   

聲音採集工作坊: 8/24(日): 14:30-16:30，講師：謝奉珍

工作坊參與人：李佳姸、李桂瑩、林淑惠、陳穗連、蔡宜儒

地點：藝站 One Station(香山車站前)

新竹市香山區中華路五段347巷2弄1號

https://www.facebook.com/HsinchuXiangshan

策展理念

聲景(Soundscape)的概念類似於肉眼所見即所得的地景，原本意旨由個體周遭各式聲音所構成的整體範圍，聲景生態學之父R・莫瑞・薛佛在早期對聲景概念的發展中，較為注重人可以如何重新訓練聽覺，去完整感知聲「景」的全面性。隨著近代聲景生態學發展的完備與科技的進步，聲景不再只侷限於個人經驗，而可能透過錄音與藝術家的再造詮釋，擴張我們對環境與生態的想像。

<我們在蟹洞吞吐的呢喃成了潮聲>試圖由聲景再造的概念出發，以新竹香山一帶為基地發展計畫，作為台灣重要的濕地保留區，香山擁有豐富而多樣的聲音，其中許多，例如水下環境的聲響，並不容易在我們的日常生活經驗中以感官輕易感知，但在水下麥克風等器具的輔助下，得以被捕捉再現。由藝術家謝奉珍所主持的工作坊，帶領學員操作器具，一同採集新竹香山濕地賞蟹步道一帶的聲音，深入尋覓周遭聲景。

展場內，由藝術家江岳霖所設計的，受新竹海景啟發的聲響音樂則在場中播放著，觀眾可以掃描牆上QR Code，以手機播放工作坊所採集的聲響，與聲響音樂疊加互動，在空間中即時性的重塑對香山新的印象，期望以聲音為基礎，找出一個全新且獨特的方式來重新認識香山，透過聽覺感受這片土地的生命力。

策展人簡歷

彭江翔　

1997年生，倫敦藝術大學策展碩士，現主要關注生態與藝術間的可能性，思考如何重塑園藝的概念成為藝術行為，並以高度人工介入的園藝行為提供人們空間反思自然概念。

藝術家簡歷

謝奉珍　

是一位以聲音為主要創作媒材的藝術家。參與現場表演、聲音裝置、聲音影像間的關係實驗、田野錄音等，目前關注方向為人－人－環境－時空間的相互牽連變化上。她大部分的聲音裝置作品為限地製作，從2012年開始發表〈空間刺探機〉系列聲音裝置作品創作計畫，以不同的展覽空間特性為聲音創作的概念。在聲音表演上，她會透過日常的聲音採集，組合成不同的聲音片段，在現場表演時會依據現場的氣氛運用聲音的表現來做回應，並嘗試與觀眾互動。她也常與國內外不同的表演者進行合作交流。

1987生於台灣高雄    目前於新竹居住/工作

2014畢業於國立台南藝術大學造形藝術研究所/台南/台灣

2009畢業於國立高雄師範大學美術學系/高雄/台灣

江岳霖  

新銳配樂與臥房製作人

曾參與多部學生電影配樂製作，有別於影像先於音樂的配樂歷程，個人創作著重於人的深層情緒，透過音樂與聲音，探索並創造多面向的精神狀態。

音樂風格上受古典樂、IDM、techno、breakbeat、jungle、ambient、噪音影響，希望能在電子音樂的抽象性中找出人性的一面。

主辦單位：藝站跨藝社  

組織營運贊助：國藝會    

贊助單位：太平洋建設  

The Whispers We Exhale in Crab Holes Become the Tide-

Xiangshan Soundscape 

Dates: Thu 9 Oct - Sun 9 Nov 2025 

Sun 12 Oct, 1pm-2:30pm

Opening & Artist Talk: 

Curator: PENG Chiang Hsiang

Artist: HSIEH Feng Chen, Mason Chiang

Sun 24 Aug, 2:30pm-4:30pm

Workshop: HSIEH Feng Chen

Venue: One Station (next to Hsinchu Xiangshan Station)

Gallery Hours: Mon, Thu-Sun 10am-6pm

https://www.facebook.com/onewetland

Statement:

The concept of Soundscape, akin to the visible landscape, originally refers to the entire range of sounds surrounding an individual. R. Murray Schafer, the father of acoustic ecology, in his early development of the soundscape concept, focused more on how humans could retrain their hearing to fully perceive the comprehensive nature of the sound "scape." With the maturation of acoustic ecology and advancements in technology in modern times, soundscapes are no longer limited to individual experiences but can expand our imagination of the environment and ecology through recording and artistic reinterpretation.

The Whispers We Exhale in Crab Holes Become the Tide attempts to depart from the concept of soundscape re-creation, developing a project based in the Xiangshan area of Hsinchu. As an important wetland reserve in Taiwan, Xiangshan possesses rich and diverse sounds, many of which, such as the underwater environment, are not easily perceived by our senses in daily life. However, with the aid of tools like underwater microphones, they can be captured and reproduced. The workshop, led by artist Hsieh Feng Chen, guides participants in operating equipment to collectively collect sounds from the Xiangshan Wetland Crab-watching Trail in Hsinchu, delving deep into the surrounding soundscape.

Inside the exhibition venue, sound art inspired by Hsinchu's seascape, designed by artist Mason Chiang, is played. Visitors can scan QR codes on the wall to play the sounds collected from the workshop on their mobile phones, interacting with and layering them onto the sound art. This instantaneously reshapes a new impression of Xiangshan within the space, hoping to find a brand new and unique way to re-understand Xiangshan based on sound, and to perceive the vitality of this land through auditory senses. 

Curator: PENG Chiang Hsiang

Born in 1997, Hsiang holds a Master's in Curating from the University of the Arts London. Currently focuses on the possibilities between ecology and art, contemplating how to reshape the concept of horticulture into an artistic act, and using horticultural practices, which are highly artificial activities, to provide people with space to reflect on the concept of nature.

Artist: HSIEH Feng Chen 

Most of her works were shown in the medium of sound. She has taken parts in live performances, sound installations, experiment with the relationship between sound and visual, and field recordings, etc. Now she is concerning about the relationship between person-person-environment-time and site. Most of her sound installation works were shown by site-specific. Since 2012, she has published the "Space Spy Machine" series of sound installation project, using different exhibition space characteristics as the concept of her sound creation. During the live performance, she uses field recordings gathered from everyday lives to form various sound sections, and performs and responds to the atmosphere of the live events. She has also tried to interact with audience members, and often works with other performers from Taiwan and elsewhere. 

1987 Born in Kaohsiung   work and live in Hsinchu, Taiwan

2014 Graduated from “Graduate Institute of Plastic Arts”, Tainan National University of The Arts (TNNUA), Tainan, Taiwan

2009 Graduated from “Department of Fine Art”, National Kaohsiung Normal University (NKNU), Kaohsiung

Artist: Mason Chiang

Emerging Composer and Bedroom Producer

Mason has contributed to the scores of several student films. Diverging from the traditional scoring process where visuals precede the music, Mason's personal work focuses deeply on profound human emotions, utilizing music and sound to explore and create multifaceted spiritual states.

In terms of musical style, Mason is influenced by classical music, IDM, techno, breakbeat, jungle, ambient, and noise. The core aspiration is to find the human element within the abstraction of electronic music.

 

Organizer: One Station of Transdisciplinary Art

Sponsor: National Culture and Arts Foundation  

Pacific Construction Co., Ltd.